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Museum of Modern Art: Study of a foot: c. 1909 Bronze: 30 cm St. Petersburg Hermitage [7] [a] The Back II: 1913 Bronze: New York City Museum of Modern Art [a] The Back III: 1916 Bronze: New York City Museum of Modern Art: Henriette II: Henriette II: 1927 Bronze 32.1 cm Ottawa: National Gallery of Canada [8] Henriette III: Henriette III: 1929 ...
Henri Matisse, The Moroccans, 1915–16, oil on canvas, 181.3 x 279.4 cm, Museum of Modern Art [29] While numerous artists visited the Stein salon, many of these artists were not represented among the paintings on the walls at 27 rue de Fleurus .
File:Henri Matisse, 1913, La glace sans tain (The Blue Window), oil on canvas, 130.8 x 90.5 cm, Museum of Modern Art.jpg File:Henri Matisse, 1913, Portrait of the Artist's Wife, oil on canvas, 146 x 97.7 cm, Hermitage, Saint Petersburg.jpg
Henri Matisse, the French artist known for his use of vibrant colors, painted “Dame à la robe blanche (Woman in White)” in 1946, depicting Matisse’s neighbor, the journalist Elvire Van ...
In March 1909, Matisse painted a preliminary version of this work, known as Dance (I). [3] It was a compositional study and uses paler colors and less detail. [4] The painting was highly regarded by the artist who once called it "the overpowering climax of luminosity"; it is also featured in the background of Matisse's Nasturtiums with the Painting "Dance I", (1912).
New York, Museum of Modern Art The Boat (French: Le Bateau ) is a paper-cut from 1953 by Henri Matisse . The picture is composed from pieces of paper cut out of sheets painted with gouache , and was created during the last years of Matisse's life.
The Red Studio (French: L'Atelier Rouge) is an oil on canvas painting by French artist Henri Matisse from 1911. It is held in the collection of the Museum of Modern Art, in New York.
Bathers with a Turtle by Henri Matisse in 1907-1908 Henri Matisse. The painting reworks elements from Matisse's 1897 work The Desert. [1] While that work was in an Impressionist style, the intense colors of the later painting are more consistent with Fauvism. The red of the room contrasts with the dark green of the landscape depicted outside ...
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