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In what was likely Booth's most-recognized book, The Rhetoric of Fiction, he argued that all narrative is a form of rhetoric. The book can be seen as his critique of those he viewed as mainstream critics. Booth argues that beginning roughly with Henry James, critics began to emphasize the difference between "showing" and "telling" in fiction ...
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A General Rhetoric is a 1970 book by the Belgian semioticians known as Groupe μ. The first part of the book reformulates classical rhetoric within semiotics, [ 1 ] while the second part discusses the new concept of a general rhetoric , which introduces rhetorical figures for storytelling , called figures of narration .
A Rhetoric of Irony [1] is a book about irony by American literary critic Wayne Booth. Booth argues that in addition to forms of literary irony, there are ironies that lack a stable referent. Booth argues that in addition to forms of literary irony, there are ironies that lack a stable referent.
Weaver was a rhetorical and cultural critic known for his contributions to the new conservatism. He focused on the ethical implications of rhetoric in his books Language is Sermonic and The Ethics of Rhetoric. According to Weaver there are four types of argument, and through the argument type a rhetorician habitually uses a critic can discern ...
The book covers the history of rhetoric, and uses modern examples of how persuasion is used in politics, advertising, media - and how you can teach a kid to argue. [ 6 ] References
Seymour Chatman (August 30, 1928 – November 4, 2015) was an American film and literary critic and professor emeritus of rhetoric at the University of California, Berkeley. [ 1 ] He is one of the most significant figures of American narratology (theory of narrative), regarded as a prominent representative of its structuralist branch.
McGee had many major contributions in the realm of rhetoric and cultural studies. He published three major works: Rhetoric in Postmodern America, The Ideograph: A Link between Rhetoric and Ideology, and Text, Context, and the Fragmentation of Contemporary Culture. [2]