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"Jungleland" is a song by the American singer-songwriter Bruce Springsteen from his 1975 album Born to Run as its closing track. Over nine minutes in length, it contains one of the E Street Band saxophonist Clarence Clemons ' most recognizable solos. [ 1 ]
Scott discovered Smith's musical work and poetry in 1976 and became a big fan, which led to him forming his own fanzine, Jungleland. In 1978, Scott was aware Smith was due to perform with her band at the Rainbow Theatre in London. He knew she always stayed at the Portobello Hotel and was successful in speaking to her over the phone after ...
A scop (/ ʃ ɒ p / [1] or / s k ɒ p / [2]) was a poet as represented in Old English poetry.The scop is the Old English counterpart of the Old Norse skald, with the important difference that "skald" was applied to historical persons, and scop is used, for the most part, to designate oral poets within Old English literature.
In languages like French, elision removes the end syllable of a word that ends with a vowel sound when the next begins with a vowel sound, in order to avoid hiatus, or retain a consonant-vowel-consonant-vowel rhythm. [2] These poetic contractions originate from archaic English. By the end of the 18th century, contractions were generally looked ...
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Often, the meaning of an allegory is religious, moral, or historical in nature. Example: "The Faerie Queene" by Edmund Spenser. [1] Periphrasis: the usage of multiple separate words to carry the meaning of prefixes, suffixes or verbs. Objective correlative; Simile: a figure of speech that directly/explicitly compares two things.
"Meeting Across the River" is the seventh track on Bruce Springsteen's 1975 album, Born to Run; it also appeared as the B-side of "Born to Run", the lead single from that album. The song is often paired with "Jungleland" in concert, though without the Randy Brecker trumpet part from the record and with regular bass guitarist Garry
Print shows Maud Muller, John Greenleaf Whittier's heroine in the poem of the same name, leaning on her hay rake, gazing into the distance. Behind her, an ox cart, and in the distance, the village "Maud Muller" is a poem from 1856 written by John Greenleaf Whittier (1807–1892). It is about a beautiful maid named Maud Muller.