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"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album Meddle. It is 23 + 1 ⁄ 2 minutes long, the second longest of their discography, eight seconds shorter than Atom Heart Mother Suite, and takes up the entire second side of the original LP. The track evolved from a variety of different ...
Romantic poetry is the poetry of the Romantic era, an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century. It involved a reaction against prevailing Enlightenment ideas of the 18th century, [ 1 ] and lasted approximately from 1800 to 1850.
The piano makes a full return, in particular in two very successful suites-poems written in 1973 – Intimacies and Echoes. Individual movements in these suites are written in free forms, and they are so intertwined and mutually dependent that they cannot be performed as separate character pieces.
Winifred Emma May (4 June 1907 – 28 August 1990) was a poet from the United Kingdom, best known for her work under the pen name Patience Strong.Her poems were usually short, simple and imbued with sentimentality, the beauty of nature and inner strength.
"Invictus" is a short poem by the Victorian era British poet William Ernest Henley (1849–1903). Henley wrote it in 1875, and in 1888 he published it in his first volume of poems, Book of Verses, in the section titled "Life and Death (Echoes)".
Her Chimes of Consecration, a volume of 70 hymns and poems, was published in 1873, and her Chimes for Daily Service in 1880. [ 3 ] [ 4 ] The latter contains 71 hymns in two parts. The second part of 48 hymns is also published separately as Under the Pillow , for use as a large type hymnbook with corresponding tune book for hospitals and ...
Jake Mintz and Jordan Shusterman discuss the Juan Soto free agency sweepstakes kicking off, the annual Scott Boras pun-fest at the GM meetings and make their picks for this week's The Good, The ...
"Atom Heart Mother" is a six-part suite by the progressive rock band Pink Floyd, composed by all members of the band and Ron Geesin. [4] It appeared on the Atom Heart Mother album in 1970, taking up the first side of the original vinyl record. [4] [5] At 23:38, [3] it is Pink Floyd's longest uncut studio piece.