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Bhagna Hriday (Bengali: ভগ্নহৃদয়; English: The Broken Heart) is a Bengali long lyrical poem written by Rabindranath Tagore in 1881. [1] [2] He started writing it while on a trip in London. [3] After reading Bhagna Hriday, Maharaja Bir Chandra Manikya awarded Rabindranath Tagore the title of best poet. [4]
James William Whilt in 1917. James William Whilt (January 8, 1878 - March 10, 1967) was a cowboy poet known as "The Poet of the Rockies". [1]James William Whilt, often referred to as "The Poet of the Rockies," was an American poet renowned for his vivid depictions of the natural beauty and rugged life of the Rocky Mountains.
"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album Meddle. It is 23 + 1 ⁄ 2 minutes long, the second longest of their discography, eight seconds shorter than Atom Heart Mother Suite, and takes up the entire second side of the original LP.
Eternal Echoes (1998) Conamara Blues: Poems (2000) Divine Beauty: The Invisible Embrace (2003) Published in the US as Beauty: The Invisible Embrace (2003) Benedictus: A Book of Blessings (2007) Published in the US as To Bless the Space Between Us (2008) The Four Elements: Reflections on Nature (2010) Echoes of Memory (1994; reprinted 1997 and 2011)
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The last line of the prepared address echoes the second and third lines of the poem. [2] [3] The same lines were also used in the lyrics of Pink Floyd's "The Gunner's Dream" (1983, on The Final Cut) [4] and Al Stewart's "Somewhere in England 1915" (2005, on A Beach Full of Shells). The poem is read in its entirety in films Oh!
The Serenade for Tenor, Horn and Strings, Op. 31, is a song cycle written in 1943 by Benjamin Britten for tenor, solo horn and a string orchestra.Composed during the Second World War at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by English poets on the subject of night, including both its calm and its sinister aspects.
Following Horace Davis, Stephen Booth notes the similarity of this poem in theme and imagery to Sonnet 120. Gerald Massey finds an analogue to lines 7–8 in The Faerie Queene , 2.1.20. In 1768, Edward Capell altered line ten by replacing the word "loss" with the word "cross".