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In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments.
The tabret or timbrel was a favorite instrument of the women, and was used with dances, as by Miriam, to accompany songs of victory, or with the harp at banquets and processions; it was one of the instruments used by King David and his musicians when he danced before the Ark of the Covenant.
Aligning the notes of a pseudo-just tuning's notes and the partials of a pseudo-harmonic timbre (or vice versa) enables consonance. The defining characteristic of dynamic tonality is that a given rank-2 temperament (as defined by a period α , a generator β , and a comma sequence ) [ 7 ] is used to generate, in real time during performance ...
Players of wind instruments alter the tone simply by changing the pressure of their lips. One could argue that the act of choosing which instrument to play or write for is in itself timbre composition. Timbre composition is used in vocal techniques such as throat-singing where the main focus of the music is timbre as opposed to pitch.
A reed rank inside an accordion is a single full set of the reeds that are the means to achieve the instrument's sound range. These reed ranks are located in the reed chamber . Most accordions to this date typically have between two and four reed ranks on the treble side and between three and five reed ranks on the bass side.
A classic example is the opening melodic statement of his Fünf Stücke für Orchester Op. 10 (1913) which requires the efforts of the flute, trumpet, celeste, harp, glockenspiel, viola, and clarinet often playing just one note each. In Webern's hocketization of Schoenberg's concept, timbres are often mixed but not combined.
A "complex tone" (the sound of a note with a timbre particular to the instrument playing the note) "can be described as a combination of many simple periodic waves (i.e., sine waves) or partials, each with its own frequency of vibration, amplitude, and phase". [1] (See also, Fourier analysis.)
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