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Yūrei-zu (幽霊図) are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons and other supernatural beings. They are considered to be a subgenre of fūzokuga, "pictures of manners and customs." [1] These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century. [2]
Meiji Memorial Picture Gallery (聖徳記念絵画館, Seitoku Kinen Kaigakan) is a gallery commemorating the "imperial virtues" of Japan's Meiji Emperor, installed on his funeral site in the Gaien or outer precinct of Meiji Shrine in Tōkyō. The gallery is one of the earliest museum buildings in Japan and itself an Important Cultural Property.
Japanese mythology is a collection of traditional stories, folktales, and beliefs that emerged in the islands of the Japanese archipelago. Shinto traditions are the cornerstones of Japanese mythology. [ 1 ]
A hidden village (隠れ里, Kakurezato) was a remote settlement in Japan during its Feudal Period. Often characterized by their inaccessibility and ease of defense, tradition holds that these villages were the dwelling place of the ninja. An example of the location of one of these villages can be found in Kamakura, Kanagawa near Sasuke Inari ...
They contain agricultural, geographical, and historical records as well as mythology and folklore. [1] Fudoki manuscripts also document local myths , rituals , and poems that are not mentioned in the Kojiki and the Nihon Shoki chronicles , which are the most important literature of the ancient national mythology and history.
A Amenonuhoko Azusa Yumi G Gohei (Japanese: 御幣) Goshintai (Japanese: 御神体) H Hama Yumi (Japanese: 破魔弓) Heisoku (Japanese: 幣束) I Imperial Regalia of Japan (Japanese: 三種の神器) K Kagura suzu (Japanese: 神楽鈴) Kusanagi (Japanese: 草薙の剣) Koma-inu (Japanese: 狛犬) M Mitamashiro (Japanese: 御霊代) N Nihongo or Nippongo (Japanese: 日本号) O O-fuda ...
Ashigaru wearing armor and jingasa firing tanegashima (Japanese matchlocks). Ashigaru (足軽, "light of foot") were infantry employed by the samurai class of feudal Japan.The first known reference to ashigaru was in the 14th century, [1] but it was during the Ashikaga shogunate (Muromachi period) that the use of ashigaru became prevalent by various warring factions.
The feudal lord, or daimyō, of Kamigawa, Takeshi Konda, employs samurai and scholars to resolve the situation, many of which are represented on the playing cards. Apart from the human race, various other races are also depicted, most notably the Moonfolk race, the Soratami race, and the distinctive humanoid rat race.