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Another interpretation or usage of the gaze of Orpheus is by Geoffrey Sirc. Sirc uses Orpheus's moment of violation as argument for creative form in writing versus the standard polished text. Urging the adolescent writer to break free of formal notions of form, Sirc views the journal as the media through which Orpheus yearns for Eurydice.
The Orphic Trilogy is a series of three French films written and directed by Jean Cocteau: [1] [2]. The Blood of a Poet, or Le sang d'un poète, 1930; Orpheus, or Orphée (also the title used in the UK), 1950
ISBN 978-3-110-67839-0. Online version at De Gruyter. Edmonds, Radcliffe G., Redefining Ancient Orphism: A Study in Greek Religion, Cambridge University Press, 2013. ISBN 978-1-107-03821-9. Graf, Fritz, and Sarah Iles Johnston, Ritual Texts for the Afterlife: Orpheus and the Bacchic Gold Tablets, Routledge, 2007. ISBN 978-0-415-41550-7.
The story is set in the 1930s, among a troupe of travelling performers. It combines skepticism about romance in general and the intensity of the relationship between Orpheus and Eurydice with an other-worldly mysticism. The result is a heavily ironic modern retelling of the classical Orpheus myth.
L'anima del filosofo, ossia Orfeo ed Euridice (The Soul of the Philosopher, or Orpheus and Euridice), Hob. 28/13, is an opera in Italian in four acts by Joseph Haydn and is one of the last two operas written during his life, the other being Armida (1783).The libretto, by Carlo Francesco Badini, is based on the myth of Orpheus and Euridice as told in Ovid's Metamorphoses.
L'Orfeide is an opera composed by Gian Francesco Malipiero who also wrote the Italian libretto, partly based on the myth of Orpheus and incorporating texts by Italian Renaissance poets. The work consists of three parts – La morte delle maschere (The death of the masks), Sette canzoni (Seven songs), and Orfeo, ovvero L'ottava canzone (Orpheus ...