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While living in London Eliot became acquainted with literary figures, most notably Pound in 1914, who would help publish Eliot's work and edit The Waste Land. [25] Eliot also met Aldous Huxley and Katherine Mansfield, as well as members of the Bloomsbury Group, in London in 1916, although he did not meet Leonard and Virginia Woolf until two ...
The book is mostly disregarded today, though T. S. Eliot credited it as the source of the title and the largest single influence on his famous poem The Waste Land. The Wasteland is depicted in the 1981 John Boorman film Excalibur, Boorman's retelling of the Arthurian legend. [1]
Phlebas the Phoenician, a character from T. S. Eliot’s poem The Waste Land, part IV and Dans le Restaurant. Consider Phlebas , a novel by Iain M. Banks, named after Eliot’s poem Topics referred to by the same term
Eliot himself employed this concept on many of his works, especially on his long-poem The Waste Land. [93] Also important to New Criticism was the idea—as articulated in Eliot's essay "Hamlet and His Problems"—of an "objective correlative", which posits a connection among the words of the text and events, states of mind, and experiences. [94]
Wasteland (mythology), the Celtic motif of the land of the Fisher King; Wasteland, a 2003 novel by Francesca Lia Block "Wastelands" (short story), a 2002 short story by Stephen Dedman; The Dark Tower III: The Waste Lands, a 1991 novel by Stephen King; The Waste Land, a 1922 poem by T. S. Eliot
Pound, who was living in London in 1919, was helping Eliot revise the poem (encouraging him to delete roughly one third of the text). When Eliot proposed publishing Gerontion as the opening part of The Waste Land, Pound discouraged him: "I do not advise printing Gerontion as preface. One don't miss it at all as the thing now stands.
He is remembered mostly widely for his 1952 essay "A New Interpretation of The Waste Land", in which he interpreted T.S. Eliot's poem as an elegy for a dead (male) friend, Jean Verdenal. At the insistence of Eliot's solicitors, it was suppressed and only republished in 1969, four years after Eliot's death.
Consider Phlebas is Banks's first published science fiction novel, and takes its title from a line in T. S. Eliot's poem The Waste Land. A subsequent Culture novel, Look to Windward (2000), whose title comes from the previous line of the same poem, can be considered a loose follow-up.