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The Jain stupa was a type of stupa erected by the Jains for devotional purposes. A Jain stupa dated to the 1st century BCE — 1st century CE was excavated at Mathura in the 19th century, in the Kankali Tila mound. [40] Jain legends state that the earliest Jain stupa was built in the 8th century BCE, before the time of the Jina Parsvanatha. [41]
In Jainism, Samavasarana or Samosharana ("Refuge to All") is the divine preaching hall of the Tirthankara, stated to have more than 20,000 stairs in it. The word samavasarana is derived from two words, sama, meaning general and avasara, meaning opportunity. It is an important feature in Jain art. [1]
The paintings are with theme of Jain Samavasarana, the "most attractive heavenly pavilion" (it means the attainment of nirvana), and Khatika bhumi. [ 3 ] [ 4 ] The layout of the west facing cave is the same as adopted in other rock-cut cave temples in the country during the 7th Century.
Pages in category "Jain art" ... Samavasarana; T. Tirth Pat This page was last edited on 14 March 2020, at 16:58 (UTC). Text is available under the Creative ...
Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...
According to the Digambara Jain texts like Adi Purana and Tiloyapannati, a huge manastambha stands in front of the samavasarana (divine preaching hall) of the tirthankaras, which causes someone entering a samavasarana to shed their pride. [2] A monolithic manastambha is a standard feature in the Jain temples of Moodabidri.
Jivantasvami images represent the Jain Tirthankara Mahavira (and in some cases other Tirthankaras) as a prince, with a crown and ornaments. [1] The Jina is represented as standing in the kayotsarga pose. [2] [3] Jivantasvami images have been used only in the Śvetāmbara Jain tradition, they are unknown in the Digambara tradition.
Some Sthanakvasi monks from Gujarat. Sthānakavāsī is a sect of Śvetāmbara Jainism which was created in the medieval era. The Sthanakvasi, whose name refers to the sect’s preference for performing religious duties at a secular place such as a monks’ meetinghouse (sthanak) rather than at a temple, is different from the Murtipujaka sect in that it rejects idolatry.