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A ritsuryo code for Buddhist clerics dated 718 CE, promulgated by the Nara government in Japan, forbid the use of dharani for any unauthorized medical treatment, military and political rebellion. The code explicitly exempted their use for "healing of the sick by chanting dharanis in accordance with the Buddha dharma". [79]
The Jinapanjara (Pali: jinapañjara; Thai: ชินบัญชร, Chinabanchon), sometimes known in English as "The Cage of the Conqueror", is a post-canonical Buddhist Paritta chant. It is the most popular paritta (protective text) in Thailand. [1] It has existed since the end of the nineteenth century, from the time of the reign of Rama II.
The Ten Small Mantras (Chinese: 十小咒; Pinyin: Shíxiǎozhòu) [1] are a collection of esoteric Buddhist mantras or dharanis.They were complied by the monk Yulin (Chinese: 玉琳國師; Pinyin: Yùlín Guóshī), a teacher of the Qing dynasty Shunzhi Emperor (1638 – 1661), for monks, nuns, and laity to chant during morning liturgical services. [2]
In the Pali literature, these short verses are recommended by the Buddha as providing protection from certain afflictions. The belief in the effective power to heal, or protect, of the sacca-kiriya, or asseveration of something quite true is an aspect of the work ascribed to the paritta.
Buddhist chants are reflections on the good spiritual qualities of the Three Refuges or an enlightened teacher, and aspirations of spiritual perfection. [43] Furthermore, chanting texts is considered a way to manifest the healing power of the Buddhist teaching in the world, and to benefit and protect the nation and the world. [62]
The chanting of this dhāraṇī is one of the most popular and famous piece of Buddhist music in Chinese-speaking countries and in Vietnam. Its popularity is probably due to the fact that it sung by famous Asian performers among Buddhists, such as the Nepalese-Tibetan bhikkhunī Ani Chöying Drölma, or the Malaysian-Chinese singer Imee Ooi. [f]
A Buddhist chant is a form of musical verse or recitation, in some ways analogous to the religious musics and hymns of other faiths. There are numerous traditions of Buddhist chanting, singing, and music in all three major schools of Buddhism: Theravada, East Asian Buddhism, and Himalayan Vajrayana.
Aaron Proffit explains the benefits of the long version of the dharani according to the tradition of Chinese Esoteric Buddhism as follows: [4] Chanting this dhāraṇī one thousand times is said to purify all past karma, bestow rebirth in the highest level of Sukhāvatī, and produce visions of Sukhāvatī, Amitāyus Buddha, and assemblies of ...