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Guitar dulcimer: a hybrid of guitar and dulcimer, with the body more closely resembling a guitar, but the string configuration and pegs of a dulcimer. The stringing pattern on these instruments are frequently the reverse of the dulcimer, with low-pitched strings on the left and higher strings on the right, and they are usually held and played ...
Claudia Schmidt (born 1953) is an American musician, originally from New Baltimore, Michigan, United States, who has recorded folk, jazz, blues, and spoken word albums. She plays guitar and Appalachian dulcimer and sings.
John McCutcheon (born August 14, 1952) is an American folk music singer-songwriter and multi-instrumentalist who has produced 45 albums since the 1970s. [1] He is regarded as a master of the hammered dulcimer, and is also proficient on many other instruments including guitar, banjo, autoharp, mountain dulcimer, fiddle, and jaw harp.
Jean Ruth Ritchie (December 8, 1922 – June 1, 2015) was an American folk singer, songwriter, and Appalachian dulcimer player, [1] called by some the "Mother of Folk". [2] In her youth she learned hundreds of folk songs in the traditional way (orally, from her family and community), many of which were Appalachian variants of centuries old British and Irish songs, including dozens of Child ...
David Massengill (born 1951, Bristol, Tennessee) is an American folk singer-songwriter, [1] guitar and Appalachian dulcimer player. Massengill considers Dave Van Ronk his mentor, and is fond of quoting Van Ronk's tribute "he takes the dull out of dulcimer" in performance and as the title of his frequent workshops on the instrument.
Instrumentation for the song is spare, consisting of a strummed twelve-string acoustic guitar, with overdubbed mandolin and steel guitar fills; percussion and bass are absent from much of the song until the instrumental outro. [4] According to Page, "And right at the end, where everything opens up, I played a dulcimer."
Appalachian music is the music of the region of Appalachia in the Eastern United States.Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles (particularly Scotland), and to a lesser extent the music of Continental Europe.
There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer; Various twentieth century derivatives, including Banjo dulcimer, with banjo-like resonating membrane
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