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He is known for his ability to draw a landscape from memory after seeing it just once. His work has gained worldwide popularity. In 2006, Wiltshire was made a Member of the Order of the British Empire (MBE) for services to art. [2] In the same year, he opened a permanent gallery on the Royal Opera Arcade in London. [3]
Lady Lever Art Gallery, Port Sunlight: Morning Music: 1867 (watercolour) Birmingham Museum & Art Gallery: A Christmas Carol: 1867: The Viscount Leverhulme: Joli Coeur: 1867: Manchester Art Gallery: The Loving Cup: 1867 (watercolour) National Museum of Western Art, Tokyo: The Loving Cup: 1867 (watercolour) Art Gallery of South Australia
Yale University Art Gallery, Connecticut [84] Dream of Arcadia: c. 1838: Oil on canvas 98.1 by 159.4 centimetres (38.6 in × 62.8 in) Denver Art Museum, Colorado [85] Romantic Landscape with Ruined Tower: 1838 Oil on canvas 86.4 by 116.8 centimetres (34.0 in × 46.0 in) National Gallery of Art, Washington, D.C. [86]
Landscape by the Lez River; Landscape near Beauvais; Landscape Near Figueras; Landscape of Łódź Seen From Retkinia; Landscape painting in Scotland; Landscape with a Castle; Landscape with a Church at Twilight; Landscape with a Cottage and Trees; Landscape with a Mountain Pass; Landscape with a Pig and a Horse; A Landscape with a Ruined ...
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Alexander Cozens (1717–1786) was a British landscape painter in watercolours, born in Russia, in Saint Petersburg. He taught drawing and wrote treatises on the subject, evolving a method in which imaginative drawings of landscapes could be worked up from abstract blots on paper. His son was the artist John Robert Cozens.
Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker.Along with his rival Sir Joshua Reynolds, [1] he is considered one of the most important British artists of the second half of the 18th century. [2]
Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure ...
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