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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
This is a list of giants and giantesses from mythology and folklore; it does not include giants from modern fantasy fiction or role-playing games (for those, see list of species in fantasy fiction). Abrahamic religions & Religions of the ancient Near East
Later examples in Jewish art are closer in form to Christian styles. In Christian art, the hand of God usually occupies the form of a blessing gesture, if they are not performing an action, though some just show an open hand. The normal blessing gesture is to point with the index and next finger, with the other fingers curled back and thumb ...
The Fall of the Rebel Angels by Hieronymus Bosch, based on Genesis 6:1–4. The Nephilim (/ ˈ n ɛ f ɪ ˌ l ɪ m /; Hebrew: נְפִילִים Nəfīlīm) are mysterious beings or humans in the Bible traditionally imagined as being of great size and strength, or alternatively beings of great power and authority. [1] The origins of the ...
The Codex Gigas opened to the page with the distinctive portrait of the Devil from which the text received its byname, the Devil's Bible. [1]The Codex Gigas ("Giant Book"; Czech: Obří kniha) is the largest extant medieval illuminated manuscript in the world, at a length of 92 cm (36 in). [2]
The ground drawings or geoglyphs were created by humans for an as-yet-unknown reason. The intaglios are located east of the Big Maria Mountains, about 15 miles (24 km) north of downtown Blythe, just west of U.S. Highway 95 near the Colorado River. The Blythe Intaglios are the most well-known of the over 200 intaglios in the Colorado Desert. [1]
Ascension of Christ and Noli me tangere, c. 400, ivory, Milan or Rome, now in Munich.See below for a similar Ascension 450 years later.. New Testament scenes that appear in the Early Christian art of the 3rd and 4th centuries typically deal with the works and miracles of Jesus such as healings, the multiplication of the loaves or the raising of Lazarus. [3]
Protestant art continued the now-standard depiction of the physical appearance of Jesus. Meanwhile, the Catholic Counter-Reformation re-affirmed the importance of art in assisting the devotions of the faithful, and encouraged the production of new images of or including Jesus in enormous numbers, also continuing to use the standard depiction.
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