Search results
Results from the WOW.Com Content Network
The inclusion of songs written by the Cure and Joy Division are notable because the influences of both bands are present in the original comic book. James O'Barr , the creator of The Crow , reprinted the lyrics to the song " The Hanging Garden " by the Cure on an entire page, and some chapters of the comic book are named after Joy Division ...
It should not be confused with the soundtrack album, The Crow, which showcases the film's music by popular artists. The score consists of mostly orchestral music, with some electronic and guitar elements, like the noteworthy song "Inferno" featured in the iconic scene where the title character performs a guitar solo on a rooftop on Devil's Night.
The original soundtrack of The Crow: City of Angels, the sequel to the 1994 film The Crow, was released on July 29, 1996, by Hollywood Records.The album includes a cover of the Fleetwood Mac song "Gold Dust Woman" by Hole, as well as tracks by other heavyweight artists such as White Zombie, Korn, Deftones and Iggy Pop.
In 1994, the chart-topping "Crow" soundtrack helped bring goth music to the mainstream. Here's how the new movie honors the original.
With a new remake of the cult classic out soon, creators of the original movie starring Brandon Lee look back at the music that helped make the film iconic. 'The Crow' original soundtrack sketched ...
The original soundtrack album for The Crow features songs from the film, and was a chart-topping album. It included work by The Cure (their song, "Burn", became the film's main theme ), The Jesus and Mary Chain , Rage Against the Machine and Helmet , among many others.
The soundtrack to the third in the Crow film series, The Crow: Salvation album is once again compiled and produced by Jeff Most. As with the soundtrack to The Crow: City of Angels , Salvation includes an otherwise unavailable cover version by Hole : this time of Bob Dylan 's "It's All Over Now, Baby Blue".
Fear and Bullets is a soundtrack album by Trust Obey created through a collaboration between James O'Barr and longtime friend John Bergin as a soundtrack to O'Barr's graphic novel The Crow. It was originally released in 1994 along with a limited edition hardcover copy of the graphic novel.