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The alternative to the grave accent in Mandarin is the numeral 4 after the syllable: pà = pa4. In African languages and in International Phonetic Alphabet, the grave accent often indicates a low tone: Nobiin jàkkàr ('fishhook'), Yoruba àgbọ̀n ('chin'), Hausa màcè ('woman'). The grave accent represents the low tone in Kanien'kéha or ...
It is also known as backquote, grave, or grave accent. The character was designed for typewriters to add a grave accent to a (lower-case [ a ] ) base letter, by overtyping it atop that letter. [ 1 ] On early computer systems, however, this physical dead key +overtype function was rarely supported, being functionally replaced by precomposed ...
For example, on some keyboard layouts, the grave accent key ` is a dead key: in this case, striking ` and then A results in à (a with grave accent); ` followed by ⇧ Shift+E results in È (E with grave accent). A grave accent in isolated form can be typed by striking ` and then Space bar.
The ` (grave accent) key is the only one that acts as a free-standing dead key and thus does not respond as shown on the key-cap. (For a complete list of the characters generated using dead keys, see QWERTY#ChromeOS .)
grave accents (e.g. à, è, etc.) needed for Scots Gaelic are generated by pressing the grave accent (or 'backtick') key `, which is a dead key, then the letter. Thus ` + a produces à. acute accents (e.g. á) needed for Irish are generated by pressing the AltGr key together with the letter (or AltGr + ' – acting as a dead key combination ...
The OADG 109A and older 109 keyboard layouts which are the standard for Microsoft Windows have five dedicated language input keys: [1] halfwidth/fullwidth/kanji (hankaku/zenkaku/kanji 半角 / 全角 / 漢字) at the top left key of the keyboard; alphanumeric (eisū 英数), combined with non-language specific key ⇪ Caps Lock;
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Originally, certain proclitic words lost their accent before another word and received the grave, and later this was generalized to all words in the orthography. Others—drawing on, for instance, evidence from ancient Greek music—consider that the grave was "linguistically real" and expressed a word-final modification of the acute pitch. [2 ...