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Glenda Slagg is a fictional parodic columnist in the British satirical magazine Private Eye. She first appeared in the mid-1960s. She first appeared in the mid-1960s. Slagg's writing style is a pastiche of several female columnists in British newspapers, notably Jean Rook [ 1 ] and Lynda Lee-Potter . [ 2 ]
Private Eyes (during production first known as The Code) [2] is a Canadian comedy-drama television series based on the novel of the same name by G.B. Joyce, created by Tim Kilby and Shelley Eriksen starring Jason Priestley and Cindy Sampson as the two protagonist private investigators solving crimes in Toronto.
Private Eye had covered the case of a Mr J. Arkell, whom the Eye accused of receiving kickbacks from a debt collection agency in his role as retail credit manager at Granada Group. [8] [9] The plaintiff's lawyers wrote a letter which concluded "His attitude to damages will be governed by the nature of your reply." The magazine's response was ...
The R-rated "The Private Eye" offers Grant a rare co-lead role, as what the actress calls "a master manipulator" named Michelle — the type of noir temptress previously embodied by Faye Dunaway ...
The series is about an ex-cop (Michael Woods) in 1950s L.A. [1] He works as private eye. When he is hunting the murderer of his brother he meets a young rockabilly street hustler (Josh Brolin) who will help him and eventually becomes his pal. A secretary (Lisa Jane Persky) will join the team.
The official description for the film reads, “Private investigator Mort Madison (Matt Rife) has seen his better days. A mysterious woman, Michelle (Clare Grant) hires him to spy on David (Elliot ...
E. J. Thribb is the fictitious poet-in-residence at the satirical magazine Private Eye.The character was created in 1972 by Barry Fantoni, who wrote the poems until 2010, when he was succeeded by other staff members. [1]
Mrs Wilson's Diary was the imaginary diary of Prime Minister Harold Wilson's wife Mary, in the style of the BBC radio serial Mrs Dale's Diary.Written primarily by John Wells with input from Richard Ingrams and Peter Cook, it chronicled the events in Wilson's life from Mary's more down-to-earth and homely perspective.
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