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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Each plate is accompanied by a short text which describes the scene and the photographic processes involved in obtaining it. Talbot emphasized the practical implications of his images (for instance, "The whole cabinet of a Virtuoso and collector of old China might be depicted on paper in little more time than it would take him to make a written inventory describing it in the usual way."), but ...
Morris offered him a pencil and paper at two years of age, and by the age of four, Congo had made 400 drawings and paintings. His style has been described as "lyrical abstract impressionism". [3] Media reaction to Congo's painting abilities were mixed, although relatively positive and accepted with interest.
While a few drawings were done in black ink or pencil, most were finely enhanced with watercolor. Many were published in Flora Parisiensis , [ 53 ] by Poiteau and Turpin (1808) and some by Turpin (and Ernestine Panckoucke ) in Flore médicale [ 54 ] by François-Pierre Chaumeton (1814–1820).
Georgia O'Keeffe, Drawing XIII, 1915, charcoal on paper, 24 3/8 x 18 1/2 in. (61.9 x 47 cm), Metropolitan Museum of Art. Drawing XIII is an example of how O'Keeffe began to develop her own sense of design and composition. A rising flame or flowing river are suggested by the curved line on the right side of the drawing.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
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