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Sicut locutus est (As he spake [to our fathers, to Abraham, and to his seed for ever]), the last line of the Magnificat has a theme in four distinct measures: the first repeated notes, the second flowing eighth notes, the third quarter notes in leaps, the fourth half notes leaping up a sixth. [72]
Bach set the text in the same key as the later version, formally as a cantata, in 1749 in Berlin, [2] where he was a harpsichordist at the court of Frederick the Great. [ 3 ] Some sources assume that Bach composed the piece to apply for the title of Hofkapellmeister at the court of Amalie , the king's sister, [ 4 ] others suggest that he ...
Sicut locutus est ad patres nostros (According to the promise He made to our ancestors), [24] the last line of the Magnificat canticle, is written in stile antico, the old style of the musical "fathers", as a strict fugue, one voice following the other as one generation follows the other. The theme has four distinctly different measures: the ...
sicut locutus est ad patres nostros, Abraham et semini eius in saecula. The Gloria Patri is appended to the canticle but is not part of Luke's Gospel. Gloria Patri, et Filio, et Spiritui Sancto, sicut erat in principio, et nunc, et semper: et in Saecula saeculorum. Amen. [13] My soul doth magnify the Lord. And my spirit hath rejoiced in God my ...
Sicut locutus est ad patres nostros Abraham et semini ejus in saecula. 11. (doxology) Gloria Patri, et Filio et Spiritui Sancto. 12. (doxology) Sicut erat in principio, et nunc, et semper et in saecula saeculorum. Amen.
The eighth movement, "Sicut locutus est ad patres nostros" (As He has promised our fathers), is a cheerful trio for three soloists and two obbligato oboes. [4] A reviewer described the lines of oboes and bassoon as "bubbly", in dialogue with "lively transparent vocal lines". [5]
(French) Suite #1 in D Minor from the Notebook for Anna Magdalena Bach, BWV 812: Minuet 2; Sonata No. 2 in D major for viola da gamba and obbligato harpsichord, BWV 1028: Adagio; Trio-sonata No. 2 in C Minor for Organ, BWV 526: Largo; Magnificat in D major, BWV 243: Sicut locutus est; Gloria (first part)
The extant autographs of Bach's Magnificat show three versions of his Magnificat: E ♭ major version without Christmas interpolations, which is how it was probably first performed, [1] at least the autograph of the E ♭ major version of the Magnificat (BWV 243a) suggests that Bach intended to perform the first version of his Magnificat also without the laudes, depending on circumstances, for ...