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Sri Chanda Bhairavar, one of the Ashta Bhairava ("Eight Bhairavas"); whose mount is a peacock. Vikata (Vikaṭa) ("unusual form", "misshapen"), an avatar of Ganesha, whose mount is a peacock (in the Mudgala Purana). In general, feathers of mayura are considered sacred and are used to dust the religious images and implements of Hindus.
Melek Taûs, the Peacock Angel. This emblem features Tawûsî Melek in the center, the Sumerian diĝir on the left, and the domes above Sheikh 'Adī's tomb on the right. Tawûsî Melek depicted as a peacock inside the display case on the grave of a Yazidi believer, cemetery of the Yazidi community in Hannover.
[92] [93] In Greek mythology, the origin of the Indian peacock's plumage is explained in the tale of Hera and Argus. [24] The main figure of Yezidis, Melek Taus, is commonly depicted as a peacock. [94] [95] A golden peacock is considered as a symbol of Ashkenazi Jewish culture, and is the subject of several folktales and songs in Yiddish.
The peacock dance or peafowl dance is a traditional Asian folk dance that describes the beauty and the movement of peacocks.There are several peacock dance traditions developed in Asia, including the peacock dances of Myanmar, of the western and northern parts of Cambodia, of West Java in Indonesia, and of the Indian subcontinent in Southern India, Sri Lanka, and Bangladesh.
The peacock continued to represent elegance and royalty in India during medieval times; for instance, the Mughal seat of power was called the Peacock Throne. The peacock is represented in both the Burmese and Sinhalese zodiacs. To the Sinhalese people, the peacock is the third animal of the zodiac of Sri Lanka. [35]
The Peacock Throne (Hindustani: Mayūrāsana, Sanskrit: मयूरासन, Urdu: تخت طاؤس, Persian: تخت طاووس, Takht-i Tāvūs) was the imperial throne of Hindustan. The throne is named after the dancing peacocks at its rear and was the seat of the Mughal emperors of India from 1635 to 1739.
The taus (Persian for "peacock") was designed by Guru Hargobind, who supposedly heard a peacock singing and wanted to create an instrument mimicking its sounds. The dilruba was designed by Guru Gobind Singh at the request of his followers, who wanted a smaller instrument than the taus.
Hyderabadi Urdu (Urdu: حیدرآبادی اردو) is a variety of Dakhini Urdu, spoken in areas of the former Hyderabad State, corresponding to the Indian state of Telangana, the Marathwada region of Maharashtra and the Kalyana-Karnataka region of Karnataka.