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The Fu Manchu moustache, as worn by the eponymous fictional character (played by Christopher Lee in the 1965 film The Face of Fu Manchu).. A Fu Manchu moustache or simply Fu Manchu, is a full, straight moustache extending from under the nose past the corners of the mouth and growing downward past the clean-shaven lips and chin in two tapered "tendrils", often extending past the jawline. [1]
The song references Dr. Fu Manchu in the lyric "I went two point seven seconds on a bull named Fu Manchu". [31] American country music singer Travis Tritt published a song called "It's a Great Day to Be Alive". Dr. Fu Manchu's iconic moustache is referenced in the lyric "Might even grow me a Fu Manchu". [32]
Fu Manchu moustache: A thin, narrow, moustache that grows downward in two very long tendrils from the upper lip, with the tapered, pointed ends hanging past the jawline. It is similar to the horseshoe moustache, but differentiated by the chin and cheeks area being smooth shaven with the lip tendrils overhanging them.
When college football fans from outside the San Joaquin Valley think of Pat Hill, they think of a Fu Manchu mustache and a three-word alliteration that became his mantra: “Anybody, anytime ...
Fu Manchu is a fictional character ... "Fu Manchu", a song by Frank Black from his ... Fu Manchu moustache, a mustache style; Fu Manchu lionfish, a common name for ...
The Face of Fu Manchu is a 1965 thriller film directed by Don Sharp and based on the characters created by Sax Rohmer. It stars Christopher Lee as the eponymous villain , a Chinese criminal mastermind, and Nigel Green as his pursuing rival Nayland Smith , a Scotland Yard detective.
We Must Obey is the ninth studio album by the southern California stoner rock band Fu Manchu. [4] It was released on February 19, 2007, and features a cover of the Cars ' " Moving in Stereo ." [ 2 ]
[21] The Windsor Star noted that "Fu Manchu even flesh the primeval metal groove out of a new wave tune, Devo's 'Freedom of Choice', giving the song a beefy bottom end." [22] The Washington Post opined that "true believers might call Fu Manchu's approach to headbanging odes of the road conceptually pure; skeptics could deem it moronic."