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A koothumadam is a separate 42-foot-long stage on which Tholpavakoothu is performed. The stage has a screen, a piece of white cloth, behind which the puppets are held. The lighting is provided by 21 lamps lit in coconut halves or earthen lamps placed behind the puppets, causing their shadows to fall on the screen.
Koothu eventually spread from Tamil Nadu into most of South India, particularly Karnataka and Kerala. It is very popular in rural areas and has remained relatively unchanged even in modern times. The deity at the Thillai Nataraja Temple, Chidambaram is known from the Sangam period as "Thillai Koothan", the cosmic dancer of Thillai; the Sanskrit ...
Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mentioned several times in Sangam literature, and the epigraphs of the subsequent Pallava, Pandiyan, Chera, and Chola periods.
Nangiar Koothu. Nangiar koothu or Nangyar Koothu (Malayalam ⓘ) is an allied traditional art of Kutiyattam, an age-old Sanskrit drama tradition of India.It is performed traditionally by the women of the Ambalavasi Nambiar community of Kerala, known as Nangyaramma, but since the second half of the 20th century it's no longer the case.
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Chakyar Koothu (pronounced [tʃaːkjaːr kuːt̪ːɨ̆] ⓘ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the Ramayana and the Mahabharata ) and stories from the Puranas . [ 1 ]
While archeological evidence points to hominids inhabiting the Tamil Nadu region nearly 400 millennia ago, it has been inhabited by modern humans for at least 3,800 years. [1] [2] [3] Tamilakam was the region consisting of the southern part of the Indian Subcontinent including the present day state of Tamil Nadu and was inhabited by the ancient Tamil people. [4]
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