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In December 1965, the Beatles' Rubber Soul album was released to wide critical acclaim. [2] According to author David Howard, the limits of pop music "had been raised into the stratosphere" by the release, resulting in a shift in focus away from singles to creating albums of consistently high quality. [3]
Deconstructing Harry is a 1997 American black comedy film written, directed by, and co-starring Woody Allen, with an ensemble cast, including Caroline Aaron, Kirstie Alley, Bob Balaban, Richard Benjamin, Eric Bogosian, Billy Crystal and Judy Davis, as well as Jennifer Garner in her feature film debut.
The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010.
The first attempt, in ’95, coincided with the remaining three Beatles making finished tracks out of Lennon’s “Free as a Bird” and “Real Love” for the “Anthology” projects.
In a 1980 interview for Playboy magazine, Lennon described it as "one of my favourite songs of the Beatles". [5] In 2000, Mojo placed "Here, There and Everywhere" at number 4 on its list of the greatest songs of all time. [6] In April 2004, Rolling Stone ranked it 25th out of the "100 Greatest Beatles Songs". [9]
"Long, Long, Long" is a song by the English rock band the Beatles from their 1968 album The Beatles (also known as "the White Album"). It was written by George Harrison, the group's lead guitarist, while he and his bandmates were attending Maharishi Mahesh Yogi's Transcendental Meditation course in Rishikesh, India, in early 1968.
"Blurred Vision" adds an even longer version of the elongated note ending the normal song's intro, and a random pitch-shifted vocal. The ending in the 1986 live versions is a flourish which varies from performance to performance - usually consisting of a brief snippet from " Star Fleet " - but still maintaining the same basic pattern, although ...
My all-time favorite versions are from the olden days. Judy Garland, of course, [was] always tops with me. And Mel Torme, who wrote a beautiful new verse for it, was really out of this world.