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The Glasgow's miles better logo. Glasgow's miles better was a 1980s campaign to promote the city of Glasgow as a tourist destination and as a location for industry. It was developed by Scottish advertising agency Struthers Advertising, and featured the phrase "Glasgow's Miles Better" wrapped around the cartoon figure of Mr. Happy.
In the famous campaign, people from all walks of life showed off black eyes to demonstrate their willingness to "fight" instead of "switch" from the Tareyton brand. " Us Tareyton smokers would rather fight than switch! " is a slogan that appeared in magazine , newspaper , and television advertisements for Tareyton cigarettes from 1963 until 1981.
Some women had been smoking decades earlier, but usually in private; this 1890s satirical cartoon from Germany illustrates the notion that smoking was considered unfeminine by some in that period. "Torches of Freedom" was a phrase used to encourage women's smoking by exploiting women's aspirations for a better life during the early twentieth ...
City nicknames can help in establishing a civic identity, helping outsiders recognize a community or attracting people to a community because of its nickname; promote civic pride; and build community unity. [1] Nicknames and slogans that successfully create a new community "ideology or myth" [2] are also believed to have economic value. [1]
Sinead Gorey. TV is no better. HBO’s The Idol featured plenty of scenes of its star Lily-Rose Depp, who smokes in real life, puffing seductively on various cigarettes from scene to scene ...
Smoking, like the color black, seems to never go out of style in the fashion world. ... The only exception is when people are in isolated places at least 10 meters from other people. The ban ...
City nicknames can help in establishing a civic identity, helping outsiders recognize a community or attracting people to a community because of its nickname; promote civic pride; and build community unity. [1] Nicknames and slogans that successfully create a new community "ideology or myth" [2] are also believed to have economic value. [1]
In European art of the 18th and 19th centuries, the social location of people – largely men – shown as smoking tended to vary, but the stigma attached to women who adopted the habit was reflected in some artworks. Art of the 20th century often used the cigar as a status symbol, and parodied images from tobacco advertising, especially of ...