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Francis Kurkdjian (born 14 May 1969) is a French perfumer and businessman of Armenian descent. He is best known for creating the men's fragrance Le Male for Jean Paul Gaultier in 1995, which has become one of the world's best-selling men’s fragrance.
"Juliet of the Spirits" is a song recorded by the B-52s. It is the second single from the band's eighth full-length studio album, Funplex. [4] A digital single and remix were released on September 9, 2008.
Giovanni Grazzini of Corriere della Sera wrote, "It is known that Fellini's imagination, in recent years, has been unrestrained by a taste conventionally called baroque: ornamental delirium, decorative bliss. Juliet's marital crisis is thus suffocated by the scenographic luxury, the clamor or the tenderness of the colors, the bizarre splendor ...
Many celebrities have signed contracts with perfume houses to associate their name with a signature scent, as a self-promotion campaign. [1] The scents are then marketed; the association with the celebrity's name usually being the selling point of the campaign.
He is a backup singer and a dancer for Juliette (solo in the song "Lucy"). Franck Steckar plays the marimba, accordion, percussions, piano and also sings. Along with Grare, he has been a member of the band since 1993. Phillipe Brohet plays the clarinet, bass clarinet, flute, alto sax, and baritone. He has been playing with Juliette since 1998.
The album was released initially on compact disc in 1993. As part of the Rhino Records reissue campaign for Costello's back catalogue from Demon/Columbia and Warners, it was re-released in 2006 with 18 additional tracks on a bonus disc.
"Juliet" was the only 1964 number one by a UK group not to chart in the United States. [5] "Juliet" proved to be the group's only Top 10 hit. [1] The Four Pennies reached the Top 20 three more times after this, but never had another really successful single.
"La Javanaise" is a song written and composed by Serge Gainsbourg originally for Juliette Gréco, and interpreted by both her and Gainsbourg in 1963. The first recordings of both artists constituted the B-sides of each of the two 45s. The title is a pun playing on the Parisian java dance and the javanais argot.