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As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]
Early 1820s music trends The Boston 'Euterpiad becomes the first American periodical devoted to the parlor song. [5]The all-black African Grove theater in Manhattan begins staging with pieces by playwright William Henry Brown and Shakespeare, sometimes with additional songs and dances designed to appeal to an African American audience. [6]
Timeline of music in the United States; To 1819; 1820–1849; 1850–1879; 1880–1919; 1920–1949; 1950–1969; 1970–present; Music history of the United States; Colonial era – to the Civil War – During the Civil War – Late 19th century – 1900–1940 – 1950s – 1960s – 1970s – 1980s
Timeline of music in the United States (1820–1849) Timeline of music in the United States (1850–1879) Timeline of music in the United States (1880–1919) Timeline of music in the United States (1920–1949) Timeline of music in the United States to 1819; Timeline of music in the United States (1950–1969) Timeline of music in the United ...
In Louisiana, drums remained legal well into the 19th century. There, African slaves, many from the Caribbean islands, danced in large groups, often in circle dances.As of 1817, dancing in New Orleans had been restricted to the area called Congo Square, which was a hotbed of musical fusionism, as African styles from across America and the Caribbean met.
This timeline of music in the United States covers the period from 1850 to 1879. It encompasses the California Gold Rush , the Civil War and Reconstruction , and touches on topics related to the intersections of music and law, commerce and industry , religion, race, ethnicity, politics, gender, education , historiography and academics.
Modern classical music scholar John Warthen Struble has contrasted American and European, concluding that the music of the United States is inherently distinct because the United States has not had centuries of musical evolution as a nation. Instead, the music of the United States is that of dozens or hundreds of indigenous and immigrant groups ...
Some American scholars have argued that the United States government institutionalized a civic nationalism founded upon legal and rational concepts of citizenship, being based on common language and cultural traditions, [2] and that the Founding Fathers of the United States established the country upon liberal and individualist principles.