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The trill (or shake, as it was known from the 16th until the early 20th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trill [2] (compare mordent and tremolo).
In music, tremolo (Italian pronunciation: [ˈtrɛːmolo]), or tremolando ([tremoˈlando]), is a trembling effect.There are multiple types of tremolo: a rapid repetition of a note, an alternation between two different notes, or a variation in volume.
A trill, also known as a "shake", is a rapid alternation between an indicated note and the one above it. In simple music, trills may be diatonic, using just the notes of the scale; in other cases, the trill may be chromatic. The trill is usually indicated by either a tr or a tr~~, with the ~ representing the length of the trill, above the staff.
In music, a mordent is an ornament indicating that the note is to be played with a single rapid alternation with the note above or below. Like trills, they can be chromatically modified by a small flat, sharp or natural accidental.
A rapid alternation between the specified note and the next higher note (determined by key signature) within its duration, also called a "shake". When followed by a wavy horizontal line, this symbol indicates an extended, or running, trill. In music up to the time of Haydn or Mozart the trill begins on the upper auxiliary note. [9]
A duple-pulse rhythmic cell in Cuban and other Latin American music trill A rapid, usually unmeasured alternation between two harmonically adjacent notes (e.g. an interval of a semitone or a whole tone). A similar alternation using a wider interval is called a tremolo. triplet (shown with a horizontal bracket and a '3')
[2] [3] Bariolage may involve quick alternation between a static note and changing notes that form a melody either above or below the static note. [4] The static note is usually an open string note, which creates a highly resonant sound. In bluegrass fiddling the technique is known as "cross-fingering". [2]
In music, hocket is the rhythmic linear technique using the alternation of notes, pitches, or chords. In medieval practice of hocket, a single melody is shared between two (or occasionally more) voices such that alternately one voice sounds while the other rests.