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Extreme example of ornamentation as a fioritura from Chopin's Nocturne in D ♭ major. In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity ...
The slide (Schleifer in German, Coulé in French, Superjectio in Latin) [1] is a musical ornament often found in baroque musical works, but used during many different periods. [1] It instructs the performer to begin two or three scale steps below the marked note and "slide" upward—that is, move stepwise diatonically between the initial and ...
Different ornament names can refer to an ornament from a specific area or time period. Understanding these ornaments is important for historically informed performance and understanding the subtleties of different types of music. This list is intended to give basic information on ornaments, with description and illustrations where possible.
Various multiple grace note ornaments are formalised into distinct types, such as doublings, throws, and birls. A single grace note is played on the beat as is the first grace note of a complex ornament such as a doubling. Some complex ornaments, such as taorluath can be played starting or ending on the
An appoggiatura (/ ə ˌ p ɒ dʒ ə ˈ tj ʊər ə / ə-POJ-ə-TURE-ə, Italian: [appoddʒaˈtuːra]; German: Vorschlag or Vorhalt; French: port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord.
The precise meaning of mordent has changed over the years. In the Baroque period, a mordent was a lower mordent and an upper mordent was a pralltriller or schneller.In the 19th century, however, the name mordent was generally applied to what is now called the upper mordent, and the lower mordent became known as an inverted mordent.
A roulade (from Old French roler, "to roll") is a type of music ornamentation. [1] The term has been used with some variation in meaning. [1] While the term has had some usage in instrumental music, it is most frequently used in the context of vocal music to refer to a florid embellishment of several musical notes sung on a single syllable.
Vocal music of the classical tradition has included a variety of ornaments known as trills since the time of Giulio Caccini. In the preface to his Le nuove musiche, he describes both the "shake" (what is commonly known today as the trill) and the "trill" (now often called a Baroque or Monteverdi trill).