Search results
Results from the WOW.Com Content Network
Shakespeare's work is also lauded for its insight into emotion. His themes regarding the human condition make him more acclaimed than any of his contemporaries. Humanism and contact with popular thinking gave vitality to his language. Shakespeare's plays borrowed ideas from popular sources, folk traditions, street pamphlets, and sermons.
The plays continued to be heavily cut and adapted, becoming vehicles for star actors such as Spranger Barry and David Garrick, a key figure in Shakespeare's theatrical renaissance, whose Drury Lane theatre was the centre of the Shakespeare mania which swept the nation and promoted Shakespeare as the national playwright.
Little is known of Shakespeare's personal life, and some anti-Stratfordians take this as circumstantial evidence against his authorship. [37] Further, the lack of biographical information has sometimes been taken as an indication of an organised attempt by government officials to expunge all traces of Shakespeare, including perhaps his school records, to conceal the true author's identity.
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
J.C. Squire's "If It Had Been Discovered in 1930 that Bacon Really Did Write Shakespeare," published in If It Had Happened Otherwise (1931), is a comic farce wherein cultural upheavals, acts of quick thinking in rebranding tourist attractions, and additions of new slang terms to the English language occur when someone finds a box containing ...
Loosely based on William Shakespeare’s comedy Much Ado About Nothing, Anyone But You is chock-full of references to its source material that could be easily overlooked by the casual viewer.
The play was also performed at the Globe Theatre on 10 June 1631. [7] A play called Pericles was in the repertory of a recusant group of itinerant players arrested for performing a religious play at Goulthwaite Hall in Yorkshire in 1609; however, it is not clear if they performed Pericles, or if theirs was Shakespeare's play. [22]
The playwright and critic George Bernard Shaw mocked the cult of Shakespeare worship as "bardolatry", claiming that the new naturalism of Ibsen's plays had made Shakespeare obsolete. [252] The modernist revolution in the arts during the early 20th century, far from discarding Shakespeare, eagerly enlisted his work in the service of the avant-garde.