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Linear video editing is a video editing post-production process of selecting, arranging, and modifying images and sound in a predetermined, ordered sequence. [1] Regardless of whether it was captured by a video camera, [2] tapeless camcorder, or recorded in a television studio on a video tape recorder (VTR) the content must be accessed sequentially.
The concept grew in popularity after culture writer Andy Baio covered supercuts in a blog entry in April 2008, which he described them as "genre of video meme, where some obsessive-compulsive superfan collects every phrase/action/cliche from an episode (or entire series) of their favorite show/film/game into a single massive video montage." [7]
This category is for television shows that are composed mainly of video clips. Subcategories. This category has only the following subcategory. A.
The dynamic cutting is an approach to film editing in which the cutting from one shot to the next is made abruptly apparent to the viewer. In matched cutting or invisible editing, the cuts are not as obvious to the viewer because these approaches adhere to continuity procedures designed to hide the edit -for instance, cutting on action. Dynamic ...
Chroma key is achieved by comparing the phase of the video to the phase corresponding to the pre-selected colour. In-phase portions of the video are replaced by the alternate background video. [citation needed] In digital colour TV, colour is represented by three numbers (red, green, blue intensity levels). Chroma key is achieved by a simple ...
Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry.Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films.
Exchanging the background of a video clip with a Compositing tool A composite image of a basketball shot, with six basketballs added to the initial image to depict the arc of the shot. Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those ...
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