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The Death of Slim Shady (Coup de Grâce) is, so far, the fastest selling rap album of 2024, [3] and has the second-highest digital sales week behind Taylor Swift's The Tortured Poets Department. [42] It would also unseat The Tortured Poets Department , which had held the chart's top spot for 12 weeks. [ 43 ]
During the mixing process of The Slim Shady LP, at the same time, Kid Rock was recording his fourth studio album, Devil Without a Cause; being friends with Kid Rock, Eminem asked Kid Rock to record scratching for Eminem's song "Just Don't Give A Fuck", which appears on both Slim Shady EP & The Slim Shady LP; in return, Eminem delivered a guest ...
"The Real Slim Shady" is a song by American rapper Eminem from his third album The Marshall Mathers LP (2000). It was released as the lead single a month before the album's release. The song peaked at number four on the Billboard Hot 100, giving him his biggest hit up to that point. [2]
"Houdini" is a song by American rapper Eminem, and is the lead single from his twelfth studio album, The Death of Slim Shady (Coup de Grâce). The song was produced by Eminem and Luis Resto, and was released through Shady Records, Aftermath Entertainment, and Interscope Records on May 31, 2024.
Eminem has revived his impish alter-ego Slim Shady for new track “Houdini”, the much-teased lead single from his forthcoming album, believed to be titled The Death of Slim Shady (Coup De ...
The lead single from Eminem's third studio album, The Marshall Mathers LP, was the song "The Real Slim Shady", which became his first entry in the top ten of the Billboard Hot 100. The third single from the album, "Stan", featured vocals from British singer Dido, sampled from her song "Thank You".
Factoring in a lack of sonic experimentation and an utter dearth of anthems, The Death of Slim Shady doesn’t really live up to the drama its title suggests. Em is largely in defense mode; it’s ...
Over a beat with piano, [1] the song revolves around Eminem battling the negative influence of his alter ego Slim Shady, referring to his impulses to treat dark and serious matters with humor in his lyrical content. [1] [2] It starts with a conversation between Eminem and Shady, in which the latter forces the former to take half of an Ativan. [2]