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As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [14]
"Sugar Mama" or "Sugar Mama Blues" is a blues standard. [1] Called a "tautly powerful slow blues" by music journalist Charles Shaar Murray , [ 2 ] it has been recorded by numerous artists, including early Chicago bluesmen Tampa Red , Sonny Boy Williamson I , and Tommy McClennan .
"Doodlin'" is a 12-bar blues. [2] Reviewer Bill Kirchner suggests: "Take a simple riff, rhythmically displace it several times over D-flat blues harmonies, resolve it with a staccato, quasi-humorous phrase, and you have 'Doodlin' '."
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
The blues' 12-bar structure and the blues scale was a major influence on rock and roll music. Rock and roll has been called "blues with a backbeat"; Carl Perkins called rockabilly "blues with a country beat". Rockabillies were also said to be 12-bar blues played with a bluegrass beat.
"For You Blue" is a country blues song [3] [15] in the musical key of D. [16] Aside from the introduction, it is one of the few original songs by the Beatles in which every section follows the twelve-bar blues (I-IV-V) pattern. The five-bar introduction deviates from the pattern due to its length and the inclusion of what musicologist Alan ...
Johnny "Man" Young (January 1, 1917 – April 18, 1974) [1] was an American blues singer, mandolin player and guitarist, significant as one of the first of the new generation of electric blues artists to record in Chicago after the Second World War. He was one of the few mandolin players active in blues music in the postwar era.
Jack N. Johnson, [1] known as Big Jack Johnson (July 30, 1939 [1] or 1940 – March 14, 2011) was an American electric blues musician, one of the "present-day exponents of an edgier, electrified version of the raw, uncut Delta blues sound." [2] [3] He was one of a small number of blues musicians who played the mandolin.