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The End of the Innocence is the third solo studio album by Don Henley, the co-lead vocalist and drummer for the Eagles. The album was released in 1989, on Geffen Records , and was his last release on that label.
"The End of the Innocence" is the lead single and title track from Don Henley's third solo studio album of the same name, released in 1989. Henley co-wrote and co-produced the song with Bruce Hornsby, who also performed piano. Both artists regularly include the song in their live performances.
"The Heart of the Matter" is a song recorded by American rock singer Don Henley from his third solo studio album, The End of the Innocence (1989). Written by Henley, Mike Campbell, and JD Souther and produced by Henley, Campbell, and Danny Kortchmar, the song was released as the album's third single, reaching No. 21 on the Billboard Hot 100 and No. 2 on the Mainstream Rock Tracks in early 1990.
Don Henley, Danny Kortchmar, Greg Ladanyi Producer of the Year: Nominated 1990 "The End of the Innocence" Rock Male Vocalist: Won [37] [98] Record of the Year: Nominated Song of the Year: Nominated The End of the Innocence: Album of the Year: Nominated 1993 "Sometimes Love Just Ain't Enough", Patty Smyth & Don Henley Pop Performance by a Duo ...
The End of the Innocence became his first solo Top 10 album on the Billboard 200. By this time, Eagles had charted five Top 10 albums. The End of the Innocence became Henley's best-selling album to date, being certified six-times Platinum in the US.
"The Last Worthless Evening" is a song written by John Corey, Don Henley, and Stan Lynch. [3] It was a single recorded by Henley in 1989 that reached number 21 on the US Billboard Hot 100 chart . The song was included on Henley's third album The End of the Innocence that same year.
Among the differences in the single version are added keyboards on the intro, no teletype noises at 1:32 and 3:29, a slightly longer delay on the vocal echo throughout the song, a slightly different vocal take on the line "you don't really want to know just how far it's gone" at 3:00, removed or quieted guitar chord on the down beats during the ...
Cash Box said of the title track that "using the same organ that made "Laundry" so unique, Henley weaves the chords through a ballad about a guy's bitterness over his lost love's new find." [ 7 ] Cash Box also said that it's "a slow, dramatic, organ-dominated tune that's almost, but not quite, reggae " and that Henley's vocal tingles with a ...