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đầu buồi the painting in about 1880–81, using the loose brushwork with dark and bright tones typical of the Impressionist movement. In about 1885, after losing his attachment to Impressionism and drawing inspiration from classical art he had seen in Italy and the works of Ingres and Cézanne, he reworked parts of the painting, particularly the principal female figure to the left of the ...
The Lady in White (French: Le Dame en blanc), also known as The Woman in White, is an 1880 oil-on-canvas painting by French artist Marie Bracquemond. It depicts the artist's half-sister Louise Quivoron, who often served as a model for her paintings. It was one of three paintings by Bracquemond shown at the Fifth Impressionist Exhibition in ...
The Women of Amphissa is an oil on canvas painting by Sir Lawrence Alma-Tadema, made in 1887. It is held at the Clark Art Institute , in Williamstown . It depicts a group of maenads waking up in the market of Amphissa , after a night of debauchery.
Krystyna Moczulska suggests that the ermine follows the meaning of an ermine or weasel in classical literature, where it relates to pregnancy, sometimes as an animal that protected pregnant women. Around the time of the painting's creation, Cecilia was known to be pregnant with Ludovico's illegitimate son. [1]
Woman with a Water Jug (Dutch: Vrouw met waterkan), also known as Young Woman with a Water Pitcher, is a painting finished between 1660–1662 by the Dutch painter Johannes Vermeer in the Baroque style. It is oil on canvas, 45.7cm × 40.6 cm, and is on display at the Metropolitan Museum of Art, New York.
The painting depicts a nude woman standing upright between an opening in the rocks and holding in her hands a pitcher, from which water flows.She thus represents a water source or spring, for which source is the normal French word, and which, in classical literature, is sacred to the Muses and a source of poetic inspiration. [7]
Woman with a Parasol – Madame Monet and Her Son, sometimes known as The Stroll (French: La Promenade) is an oil-on-canvas painting by Claude Monet from 1875. The Impressionist work depicts his wife Camille Monet and their son Jean Monet in the period from 1871 to 1877 while they were living in Argenteuil, capturing a moment on a stroll on a windy summer's day.
The painting portrays Isabella, unable to sleep, dressed in a semi-transparent nightgown, having just left her bed, which is visible with the cover turned over in the background. She drapes herself over an altar she has created to Lorenzo from an elaborately inlaid prie-dieu over which a richly embroidered cloth has been placed.
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