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Krystyna Moczulska suggests that the ermine follows the meaning of an ermine or weasel in classical literature, where it relates to pregnancy, sometimes as an animal that protected pregnant women. Around the time of the painting's creation, Cecilia was known to be pregnant with Ludovico's illegitimate son. [1]
The painting has been widely referred to and pastiched in art, film, and photography, notably in Laurence Olivier's 1948 film Hamlet, where it formed the basis for the portrayal of Ophelia's death. The sleeve of the 1971 psychedelic folk album Beautiful Lies You Could Live In by Tom Rapp and Pearls Before Swine reproduces the painting. [13]
Christ and the Canaanite Woman (1594-1595) by Annibale Carracci. Christ and the Canaanite Woman is a 1594-1595 oil on canvas painting by Annibale Carracci, now in the Pinacoteca Stuard in Parma. The work was mentioned by Carlo Cesare Malvasia, who, in Felsina Pittrice, called it "the famous Canaanite Woman.
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."
Image credits: classicaldamn French painter and sculptor Marcel Duchamp is another great artist who had a pretty prominent funny bone. The quote "Humor is the only reason to live" is attributed to ...
đầu buồi the painting in about 1880–81, using the loose brushwork with dark and bright tones typical of the Impressionist movement. In about 1885, after losing his attachment to Impressionism and drawing inspiration from classical art he had seen in Italy and the works of Ingres and Cézanne, he reworked parts of the painting, particularly the principal female figure to the left of the ...
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