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"Mere Rashke Qamar" (Urdu: میرے رشک قمر; lit. "O Envy of the Moon") is a ghazal-qawwali written by Urdu poet Fana Buland Shehri [1] and composed by Nusrat Fateh Ali Khan.
Muhammad Iqbal, then president of the Muslim League in 1930 and address deliverer "Sare Jahan se Accha" (Urdu: سارے جہاں سے اچھا; Sāre Jahāṉ se Acchā), formally known as "Tarānah-e-Hindi" (Urdu: ترانۂ ہندی, "Anthem of the People of Hindustan"), is an Urdu language patriotic song for children written by poet Allama Muhammad Iqbal in the ghazal style of Urdu poetry.
"Humnava Mere" (Urdu: ہم نوا میرے Hindi: हमनवा मेरे transl. "O my friend/beloved") is 2018 Hindi language single. The ballad is sung by Indian playback singer Jubin Nautiyal. The song was composed by the musical duo Rocky & Shiv and the lyrics were written by Manoj Muntashir.
This is a list of songs about Pakistan (known as Milli naghmay, Urdu: ملی نغمے) listed in alphabetical order. The list includes songs by current and former solo-singers and musical bands. The list includes songs by current and former solo-singers and musical bands.
Woh Humsafar Tha (Urdu: وہ ہم سفر تھا, ‘Wuh ham-safar tha’ lit. He was [my] co-journeyer) is a ghazal written in 1971 by Naseer Turabi [1] after the Fall of Dhaka. It serves as the title song for the Pakistani drama serial Humsafar. The ghazal was originally sung by Abida Parveen [2] and later by Qurat-ul-Ain Balouch.
"Groove Mera" (Urdu: گروو میرا, lit. 'My Groove') was the official anthem of the 2021 Pakistan Super League , the sixth season of the Pakistan Super League . It was written by Adnan Dhool, and sung by Naseebo Lal , Aima Baig and Young Stunners .
Hum Dekhenge (Urdu: ہم دیکھیں گے - In english We shall see) is a popular Urdu nazm, written by the Pakistani poet Faiz Ahmad Faiz. [1] Originally written as Va Yabqá Vajhu Rabbika (And the countenance of your Lord will outlast all), [2] it was included in the seventh poetry book of Faiz -- Mere Dil Mere Musafir.
The song is a staple of most Qawwali sessions in North India and Pakistan, especially in the Chishti shrines of Delhi. It is traditionally sung as a closing piece at the end of a Qawwali session. The song is celebratory in tone and holds a prominent place in the landscape of Sufi music. The word "rang" or "rung" literally translates into "color."