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The term was later also applied to the indirect sublimation transfer printing process, which uses a standard ink-jet printer to deposit sublimation-capable ink onto a transfer sheet. The printed transfer sheet is then pressed with the substrate with heat, transferring the dye to the substrate, such as plastic or fabric, via sublimation. [2] [1 ...
With the development of a dye-sublimation printer in the early 1990s, it became possible to print with low energy sublimation inks and high energy disperse direct inks directly onto textile media, as opposed to print dye-sublimation inks on a transfer paper and, in a separate process using a heat press, transfer it to the fabric.
In contrast to Direct-to-garment (DTG) printing, in which designs are printed directly onto the garments, DTF employs a two-step process. [citation needed] The first step in the Direct-to-film (DTF) printing method involves initially printing the design onto a PET (Polyethylene Terephthalate) film and then applying an adhesive powder to the printed film.
Thermal-transfer printing is done by melting wax within the print heads of a specialized printer. The thermal-transfer print process utilises three main components: a non-movable print head, a carbon ribbon (the ink) and a substrate to be printed, which would typically be paper, synthetics, card or textile materials.
Dye transfer is a continuous-tone color photographic printing process. It was used to print Technicolor films, as well as to produce paper colour prints used in advertising, or large transparencies for display.
Transfer paper is a thin piece of paper coated with wax and pigment. Often, an ink-jet or other printer is used to print the image on the transfer paper. A heat press can transfer the image onto clothing, canvas, or other surface. Transfer paper is used in creating iron-ons. Transfer papers can also be used for the application of rhinestones to ...
The digital negative is the collective name for methods used by photographers to create negatives on transparency film for the contact printing of alternative photographic techniques. The negatives can also be enlarged using traditional gelatin silver processes , though this is usually reserved for negatives of 4x5" or larger due to quality ...
For IC production in the 1960s and early 1970s, an opaque rubylith film laminated onto a transparent mylar sheet was used. The design of one layer was cut into the rubylith, initially by hand on an illuminated drafting table (later by machine ()) and the unwanted rubylith was peeled off by hand, forming the master image of that layer of the chip, often called "artwork".