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HÅitsu's style, which "aimed for the natural integration of poetic emotion and decorative technique", has been linked to "the elegant and refined taste common to poetry, which is another field of art he practiced". His use of tarashikomi "to paint plants and flowers with poetic feelings" has been highly praised. [2]
The Flower Girl (Ingham) The Flower Girl (Murillo) Flower Still life with a watch; ... Lotus Pond (painting) M. Memory of the Garden at Etten (Ladies of Arles) O.
The Flower Girl (c. 1665-1670) by Bartolomé Esteban Murillo The Immaculate Conception of El Escorial, a section of which can be seen under the top layer of The Flower Girl. The Flower Girl (Italian - Fanciulla con fiori, Ragazza con fiori or La Fioraia'; Spanish - Muchacha con flores) is a c. 1665-1670 oil on canvas painting by the Spanish ...
Flowers in a Crystal Vase (French - Œillets et clématites dans un vase de cristal) is an 1882 painting by Édouard Manet, in the Musée d'Orsay in Paris since 1986. It shows clematis and 'oeillets', a French word used for several kinds of cut flowers, many from the Dianthus genus.
Bulb Fields, also known as Flower Beds in Holland, is an oil painting created by Vincent van Gogh in early 1883. It was donated to the National Gallery of Art in Washington DC in 1983. Bulb Fields was Van Gogh's first garden painting, in oil paint on canvas mounted on wood.
The Madonna of the Carnation, also known as the Madonna with Vase, Madonna with Child or Virgin with Flower, [1] is a Renaissance oil painting by Leonardo da Vinci created around 1478–1480. It is permanently displayed at the Alte Pinakothek gallery [ 2 ] in Munich , Germany.
An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...
Boy Leading a Horse, 1905–06, oil on canvas, 220.6 cm × 131.2 cm (86.9 in × 51.7 in), Museum of Modern Art, New York. The Rose Period lasted from 1904 to 1906. [2] Picasso was happy in his relationship with Fernande Olivier whom he had met in 1904 and this has been suggested as one of the possible reasons he changed his style of painting.