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This article lists compositions written for piano duo. The list includes works for piano four-hands and works for two pianos. Catalogue number and date of composition are also included. Ordering is by composer surname. A list of notable performers who played and recorded these works is at List of classical piano duos (performers).
The film is scored by Aaron Dessner and Bryce Dessner, who also contributed the film's original songs performed by the cast and written by Matt Berninger and Carin Besser. The London Contemporary Orchestra conducted by Robert Ames and Dessner and Icelandic pianist Víkingur Ólafsson , performed the score.
The best known left-hand concerto is the Piano Concerto for the Left Hand in D by Maurice Ravel, which was written for Paul Wittgenstein between 1929 and 1930. Wittgenstein, who lost his right arm in World War I, commissioned a number of such works around that time, as did Otakar Hollmann .
Everything happened naturally, with a flash of creativity, and with the work in the studio with Orlando Aispuro, my producer, and all the people who help me. [ 1 ] León also told Billboard , "This song is a surprise for us since it was an experiment for our Tiny Desk recording — we made a little soul and fused it with regional Mexican to ...
Four Easy Dances for piano, "Music for a Children's Theatre": Puss in Boots, Red-Riding-Hood and Wolf, Butterfly, Dance of the Ducklings, for piano (1956/1957) Partita, Op. 2 for piano (1958) 2 Sonatinen Op. 1, for piano (1958/1959) Quintettino Op. 13, for wind quintet (1964) Collage über B-A-C-H for oboe and strings (1964) Trivium for organ ...
Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
The two have been married since 2006.
revised 1912; setting of the poem "From Noon to Starry Night" by Walt Whitman; Colin Matthews notes that while Holst had not yet developed a musical style of his own, this early work shows "conviction and individuality", and has "few parallels in British music of this period".