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During World War II, Stevens began producing both the Model 520A (renamed the Model 520–30) and the Model 620A (labeled as the Model 620) as trench guns, riot guns, and long-barreled training guns for the US military. Trench guns were produced with 20-inch barrels (cylinder bore) and had heat shields with unique pinkish anodized bayonet lugs ...
The Stevens Model 77E was a pump-action shotgun offered in 12 gauge, 16 gauge, 20 gauge, 28 gauge, and .410 bore. The military version 77E was the most widely used shotgun of the Vietnam War . It was a short-barreled pump-action shotgun known variously as the "trench" or "riot" shotgun in 12 gauge.
Stevens provided a prototype Model 520 trench gun to the American military in 1918 for use in World War I but it was never produced in quantity. Both the Model 520A and 620A were produced (as the M520-30 and M620) for military use during World War II, in trench, riot, and training variants.
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Winchester Model 1897 Trench Gun with M1917 bayonet Winchester Model 1912 Trench Gun Remington 1100 Tactical Shotgun in 12-gauge—holds eight 2 3 ⁄ 4" rounds in the tube. A combat shotgun is a shotgun issued by militaries for warfare. [1] The earliest shotguns specifically designed for combat were the trench guns or trench shotguns issued in ...
The Stevens Boys Rifles were a series of single-shot takedown rifles produced by Stevens Arms from 1890 until 1943. The rifles used a falling-block action (sometimes called a tilting-block, dropping-block, or drop-block) and were chambered in a variety of rimfire calibers, such as .22 Short , .22 Long Rifle , .25 Rimfire , and .32 Rimfire .
The first pistol model acquired for Finnish Army. Mainly used in Finnish home front during World War 2, but also few frontline units got these pistols issued.) [126] Browning FN M1910 (2,500 pistols bought from Belgium in February of 1940. During Continuation War they were issued to home front troops.) [126]
When the photographs were first distributed by the Polish resistance, they were cropped to focus on the figures, with the black frames in the two fire-pit images removed. Photography historian Janina Struk writes that Teresa Łasocka-Estreicher ("Tell" in the note from the camp) asked Polish photographer Stanisław Mucha [ pl ] to make prints ...