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The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska. According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish .
That same year, he also consecrated the world to Jesus of Divine Mercy at the Divine Mercy Sanctuary in Kraków. [53] He died in April 2005, on the eve of Divine Mercy Sunday, and was himself beatified by his successor, Pope Benedict XVI , on Divine Mercy Sunday, 1 May 2011, and was canonized by Pope Francis on Divine Mercy Sunday, 27 April 2014.
The Divine Mercy is a Catholic devotion to the mercy of God associated with the reported apparitions of Jesus to Faustina Kowalska. [1]The Divine Mercy devotion is composed of several practices such as the Divine Mercy Sunday, the Chaplet of the Divine Mercy or the Divine Mercy image, which Kowalska describes in her diary as "God's loving mercy" towards all people, especially for sinners.
The Divine Mercy image is often carried in processions on Divine Mercy Sunday, and is placed in a location in the church so that it can be venerated by those who attended the Mass. [20] The liturgical celebration of Divine Mercy Sunday reflects the devotional elements of Divine Mercy – the former alternate opening prayer of that Mass began with:
Eugeniusz Marcin Kazimirowski (11 November 1873 – 23 September 1939 in Białystok) was a Polish painter, and member of the realism movement.He is best known for the first depiction of the Divine Mercy image in 1934, based on a request from Faustyna Kowalska and her confessor Michael Sopoćko.
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The Land of Warriors [1] Douluo Continent ( simplified Chinese : 斗罗大陆 ; traditional Chinese : 鬥羅大陸 ; pinyin : Dòuluō Dàlù ) is a 2021 Chinese television series based on a fantasy novel of the same name by Tang Jia San Shao , starring Xiao Zhan and Wu Xuanyi .
Hyła painted the Divine Mercy image for the Divine Mercy Sanctuary, Kraków, as a votive offering for having survived World War II. [ 2 ] [ 3 ] The image was painted by Hyła five years after the death of Faustina Kowalska in 1938, under the direction of one of her confessors, Józef Andrasz . [ 3 ]