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The complete paintings of Titian, 430 ; The Scourging of Christ, Web Gallery of Art (English) Cristo flagellato, Galleria Borghese (Italian)
Christ and the Adulteress (Titian, Glasgow) Christ and the Adulteress (Titian, Vienna) Christ Appearing to his Mother after his Resurrection; Christ Carrying the Cross (Titian) The Crowning with Thorns (Titian, Munich) The Crowning with Thorns (Titian, Paris) Crucifixion (Titian)
The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art , in cycles of the Passion or the larger subject of the Life of Christ .
Titian paintings on display in the Museo del Prado (from left to right: Danaë and the Shower of Gold, The Worship of Venus, The Bacchanal of the Andrians, and Venus and Adonis) This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left ...
In 1839 he received his first state commission, from France's Ministry of the Interior, a copy of The Scourging of Christ by Titian. On 8 October 1839 he married the young middle-class Laure Peytouraud and they had three children: Thérèse (1840–1932), Rosalie (1843–1913) and Louise (1860–1944).
The Virgin and Child with Saints Stephen, Jerome and Maurice (German: Maria mit Kind und den Hll. Stephanus, Hieronymus und Mauritius), also called the Virgin with Three Saints, is a religious painting by Titian which hangs in the Kunsthistorisches Museum in Vienna.
It is believed to be one of the first works commissioned by the Gonzagas from Titian. On February 2, 1523, Federico II wrote to his uncle Alfonso I d'Este to free Titian from any artistic assignments in Ferrara. [2] There is a copy of The Entombment produced afterwards, perhaps signed by Titian, in the Torrigiani family collection.
Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic. The canvas was completed during Titian's fifth decade of painting, and is one of the works marking a shift toward his extensive exploration of tragedy and human suffering.