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The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the late 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music.
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A professional audio store is a retail establishment that sells, and in many cases rents, expensive, high-end sound recording equipment (microphones, [3] audio mixers, digital audio recorders, speakers and surround sound speakers, [4] monitor speakers) and sound reinforcement system gear (e.g., speaker enclosure cabinets, stage monitor speakers, power amplifiers, subwoofer cabinets) and ...
No speaker, monitor or hi-fi sound system, regardless of the design principle or cost, has a completely flat frequency response; all speakers color the sound to some degree. Monitor speakers are assumed to be as free as possible from coloration. While no rigid distinction exists between consumer speakers and studio monitors, manufacturers ...
SSL SL9000J (72 channel) console at Cutting Room Recording Studio, NYC An audio engineer adjusts a mixer while doing live sound for a band.. A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems.
Special equipment was another notable feature of the classic recording studio. The biggest studios were owned and operated by large media companies like RCA, Columbia and EMI, who typically had their own electronics research and development divisions that designed and built custom-made recording equipment and mixing consoles for their studios.
Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
15 in/s (38.1 cm/s): professional music recording and radio programming. Through the early to mid 1990s, equipment in many radio stations did not support this speed. [citation needed] 30 in/s (76.2 cm/s): used where the best possible treble response and lowest noise floor are demanded, though bass response might suffer. [15]
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