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Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
The Vietnam War Song Project has identified over 100 songs about Lt. Calley and the Mỹ Lai massacre, with music historian Justin Brummer writing in History Today that "The most well-known song defending Calley was the ‘Battle Hymn of Lt. Calley’ (1971), by Terry Nelson, which sold over one million copies".
As the song ends, the young man tells the sergeant that he'll be the first to volunteer for "a war without blood or gore". [2] [5] "Draft Dodger Rag" was the first prominent satirical song about draft evasion in the Vietnam War. [6] One writer says its humor can be appreciated on its own level, without respect to the political message of the ...
During the events leading up to the American Civil War, both the North and the South generated a number of songs to stir up patriotic sentiments, such as "Battle Hymn of the Republic" and "Dixie". However, after the Civil War, the sentiments of most patriotic songs were geared to rebuilding and consolidating the United States.
By the late 1980s, the "Napalm" cadence had been taught at training to all branches of the United States Armed Forces.Its verses delight in the application of superior US technology that rarely if ever actually hits the enemy: "the [singer] fiendishly narrates in first person one brutal scene after another: barbecued babies, burned orphans, and decapitated peasants in an almost cartoonlike ...
It is an anti-war song and a protest song. Its theme is the disillusionment of the country during the Vietnam War era. In the liner notes to his 1993 anthology Great Days, Prine writes of this song, "The idea I had in mind was that America was this girl you used to take to drive-in movies. And then when you went to get some popcorn, she turned ...
Monod, David. "I Didn't Raise My Boy to Be a Soldier: : Popular Song and American Neutrality, 1914–1917" War in History (2017) 24#4: 438-457. Abstract; Recorded Anthology of American Music, Inc. Praise the Lord and Pass the Ammunition: Songs of World Wars I & II. Recorded Anthology of American Music, 1977. OCLC 221633326
"Bulls on Parade" deals with the U.S. military and its aggressive tactics. It mentions how the arms industry encourages war to obtain military contracts with lines such as, "Weapons, not food, not homes, not shoes, not need, just feed the war cannibal-animal," and "What we don't know keeps the contracts alive and moving."