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Prologues of Renaissance drama often served a specific function of transition and clarification for the audience. A direct address made by one actor, the prologue acted as an appeal to the audience's attention and sympathy, providing historical context, a guide to themes of the play, and occasionally, a disclaimer.
Fanchon and Marco began producing prologues, initially at the Paramount Theatre in Los Angeles, in 1922, and by 1931 produced about fifty hour-long productions each year with a staff of six thousand; they ceased their production in 1936. [5]
The Monarchian Prologues are a set of Latin introductions to the four canonical gospels of Matthew, Mark, Luke and John. They were long thought to have been written in the second or third century from a Monarchian perspective, hence their name. Today they are generally regarded as Priscillianist compositions from the late fourth or early fifth ...
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The anti-Marcionite prologues are three short prefaces to the gospels of Mark, Luke and John. No prologue to Matthew is known. They were originally written in Greek, but only the prologue to Luke survives in the original language. All three were translated into Latin and are preserved in some 40 manuscripts of the Vulgate Bible. [2]
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