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A movie prologue or prolog was a short live vaudeville show, performed at the start of film showings in movie theaters in the United States, especially at the end of the silent film era in the 1920s and early 1930s. The idea was first introduced by Sid Grauman in 1918 at his theaters in Hollywood. Many imitations followed. [1]
The film's numbers were staged and choreographed by Busby Berkeley. It starred James Cagney, Joan Blondell, Ruby Keeler and Dick Powell, with featured appearances by Frank McHugh, Guy Kibbee, Hugh Herbert, and Ruth Donnelly. The film's screenplay was written by Manuel Seff and James Seymour, based on a story by Robert Lord and Peter Milne.
Prologues have long been used in non-dramatic fiction, since at least the time of Geoffrey Chaucer's Canterbury Tales, although Chaucer had prologues to many of the tales, rather than one at the front of the book. The Museum of Eterna's Novel by the Argentine writer Macedonio Fernandez has over 50 prologues by the author. Their style varies ...
Born in 1894, Edward Lloyd Hyman began his career as a theater manager for the Victoria Theater in his hometown of Buffalo, New York, in 1916. [2] He gained popularity for his elaborate productions of film during the silent era, most notable for his musical accompaniments that included: overtures, prologues, interludes, and countless other vocal and dance numbers.
The opening sequence to the 2009 Disney-Pixar film Up (sometimes referred to as "Married Life" after the accompanying instrumental piece, [1] the Up montage, or including the rest of the prologue The First 10 Minutes of Up) has become known as a cultural milestone and a key element to the film's success.
Fox Film [172] The Life of the Party: Roy Del Ruth: Winnie Lightner, Jack Whiting: Musical comedy: Warner Bros. [173] Lightnin' Henry King: Will Rogers, Louise Dresser, Joel McCrea: Comedy: Fox Film [174] The Light of Western Stars: Otto Brower: Richard Arlen, Mary Brian: Western: Paramount Famous Lasky [175] Lilies of the Field: Alexander ...
The meteoric but short film career of Jean Harlow, The Blonde Bombshell, [2] was completely contained in the 1930s. Fred Astaire, with his frequent partner Ginger Rogers, revolutionized film musicals. [3] With charm [2] [4] and a "distinctive kind of nonmacho masculinity", [5] Cary Grant became the decade's "epitome of masculine glamour". [4]
The film was designed to run 40 minutes, with 20 minutes devoted to the play's prologue and two 10-minute introductions for the second and third act. Welles planned to create a silent film in the tradition of the Mack Sennett slapstick comedies, in order to enhance the various chases, duels and comic conflicts of the Gillette play. [8]