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(kept at the National Museum of Modern Art, Tokyo) materials and techniques of western oil painting applied to the Japanese subject of a white-robed Kannon, holding a willow branch in one hand and a water jar in the other [5] 272.0 centimetres (107.1 in) by 181.0 centimetres (71.3 in)
This is a list of Japanese artists. This list is intended to encompass Japanese who are primarily fine artists. This list is intended to encompass Japanese who are primarily fine artists. For information on those who work primarily in film, television, advertising, manga, anime, video games, or performance arts, please see the relevant ...
The National Museum of Western Art (国立西洋美術館, Kokuritsu Seiyō Bijutsukan, lit. "National Western Art Museum", NMWA) is the premier public art gallery in Japan specializing in art from the Western tradition. The museum is in the Ueno Park in Taitō, central Tokyo. It received 1,162,345 visitors in 2016. [1]
Takahiro Iwasaki (岩崎 貴宏, Iwasaki Takahiro, born 1975 in Hiroshima) is a Japanese artist and sculptor. [1] He has exhibited in international settings including the Seoul Museum of Art in South Korea, the Moscow Museum of Modern Art in Russia, the Queensland Art Gallery in Australia, and the Palais de Tokyo in Paris, France.
The Sompo Museum of Art (SOMPO美術館, Sonpo bijutsukan) is an art museum in Shinjuku, Tokyo, Japan. It is owned by the Japanese insurance company SOMPO and is located next to the company's headquarters. It started as the Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art in 1976 and gradually expanded. The current six-storey building ...
Other Japanese artists of the Sōsaku Hanga school of this Showa Era produced works on the same theme. In particular, Koizumi Kishio is famous for his series titled "One Hundred Views of Great Tokyo in the Showa Era" ((昭和東京百図絵, Shōwa Tōkyō hyaku zue") which was completed between 1928 and 1940. [4] [5]
Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...
The Tokyo Prefectural Art Museum was first conceptualized with the support of Japanese industrialist Keitaro Sato, a coal magnate from Kyushu.In March 1921, he donated one million yen to the prefectural government with the aims of establishing a “permanent art museum” to conserve the nation’s art and to “promote new works of art for the future,” as dictated in a letter to then ...
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