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The Gospel of Luke and the Acts of the Apostles make up a two-volume work which scholars call Luke–Acts. Together they account for 27.5% of the New Testament, the largest contribution by a single author. [40] St. Luke painting the Virgin, by Maarten van Heemskerck, 1532
The gospel of Luke and the Acts of the Apostles make up a two-volume work which scholars call Luke–Acts. [5] Together they account for 27.5% of the New Testament , the largest contribution by a single author, providing the framework for both the Church's liturgical calendar and the historical outline into which later generations have fitted ...
Luke the Evangelist, the author of the third gospel account (and the Acts of the Apostles), is symbolized by a winged ox or bull—a figure of sacrifice, service, and strength. Luke's account begins with the duties of Zechariah in the temple; it represents Jesus's sacrifice in his Passion and Crucifixion , as well as Christ being high priest ...
Only the Gospel of Luke describes one of the criminals as penitent, and that gospel does not name him. Augustine of Hippo does not name the thief, but wonders if he might not have been baptized at some point. [21] According to tradition, [22] the Good Thief was crucified to Jesus' right and the other thief was crucified to his left.
Simeon in the Temple, by Rembrandt van Rijn, 1631. Simeon (Greek: Συμεών) at the Temple is the "just and devout" man of Jerusalem who, according to Luke 2:25–35, met Mary, Joseph, and Jesus as they entered the Temple to fulfill the requirements of the Law of Moses on the 40th day from Jesus' birth, i.e. the presentation of Jesus at the Temple.
Luke is the longest of the four gospels and the longest book in the New Testament; together with Acts of the Apostles it makes up a two-volume work from the same author, called Luke–Acts. [5] The cornerstone of Luke–Acts' theology is "salvation history", the author's understanding that God's purpose is seen in the way he has acted, and will ...
Saint Luke painting the Virgin (German and Dutch: Lukas-Madonna) is a devotional subject in art showing Luke the Evangelist painting the Virgin Mary with the Child Jesus. Such paintings were often created during the Renaissance for chapels of Saint Luke in European churches, and frequently recall the composition of the Salus Populi Romani , an ...
The St Luke Passion is scored for large forces: a narrator (who acts as the Evangelist); soprano, baritone and bass soloists (with the baritone singing the role of Christ and the soprano and bass taking other roles as necessary); three mixed choruses and a boys' choir; and a large orchestra consisting of:
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