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Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry , perspective and the principles of formal classical architecture from ancient Greek and Roman traditions.
In total there are 47 Palladian buildings registered in the UNESCO list in the Veneto region. [4] There is another important group of urban buildings by Palladio in Venice, a city which also has World Heritage Site status. Venice has notable examples of ecclesiastical architecture by Palladio, including the San Giorgio Maggiore (church), Venice.
Palladian architecture in the United Kingdom (2 C, 3 P) Pages in category "Palladian architecture" The following 67 pages are in this category, out of 67 total.
Villa Capra "La Rotonda" in Vicenza.One of Palladio's most influential designs. Villa Godi in Lugo Vicentino.An early work notable for lack of external decoration. The Palladian villas of the Veneto are villas designed by Renaissance architect Andrea Palladio, all of whose buildings were erected in the Veneto, the mainland region of north-eastern Italy then under the political control of the ...
The Basilica Palladiana is a Renaissance building in the central Piazza dei Signori in Vicenza, north-eastern Italy.The most notable feature of the edifice is the loggia, which shows one of the first examples of what have come to be known as the Palladian window, designed by a young Andrea Palladio, whose work in architecture was to have a significant effect on the field during the Renaissance ...
Palladio appears to have incorporated an existing building, and his villa has had several modifications. Its Palladian features include a facade characterised by a triple-arched loggia . The roof is capped with period clay tiles, and the structure is of brick covered with stucco , typical of Palladio who was able to achieve great buildings with ...
However, elements such as the pilasters devoid of entasis (that is, the characteristic swelling which culminates at a third of the shaft’s height) conform so little with Palladio’s vocabulary in the 1560s, that one may hypothesize that the design of the left-hand portion of the palace was the product of a youthful project by Palladio, only ...
The building lacks of ornamentation usually associated with Palladio's mature work, and for the refined, symmetrical proportions of the façade and massing of the structure. [ 1 ] : 10 The plan is arranged with suites of apartments arranged symmetrically on each side of the main sala and a recessed entry loggia .