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Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud. Psychoanalytic reading has been practiced since the early development of psychoanalysis itself, and has developed into a heterogeneous interpretive tradition.
Lacanianism or Lacanian psychoanalysis is a theoretical system initiated by the work of Jacques Lacan from the 1950s to the 1980s. It is a theoretical approach that attempts to explain the mind, behaviour, and culture through a structuralist and post-structuralist extension of classical psychoanalysis .
In the work's second part, Freud discusses the "technique" of psychoanalysis. Freud then presents an example of how psychoanalysis can be used in practice. [4] [5] In the work's third part, Freud discusses the relationship between the preconscious, conscious, and unconscious and the external world. He then discusses the nature of the "internal ...
Freud believed that people could be cured by making their unconscious a conscious thought and motivations, and by that gaining "insight". The aim of psychoanalysis therapy is to release repressed emotions and experiences, i.e. make the unconscious conscious. Psychoanalysis is commonly used to treat depression and anxiety disorders.
Psychoanalytic and psychoanalytical are used in English. The latter is the older term, and at first, simply meant 'relating to the analysis of the human psyche.' But with the emergence of psychoanalysis as a distinct clinical practice, both terms came to describe that. Although both are still used, today, the normal adjective is psychoanalytic. [3]
Some the most influential psychoanalysts and theorists, philosophers and literary critics who were or are influenced by psychoanalysis include: Karl Abraham – psychoanalyst Nicolas Abraham – psychoanalyst
Some Character-Types Met within Psycho-Analytic Work is an essay by Sigmund Freud from 1916, comprising three character studies—of what he called 'The Exceptions', 'Those Wrecked by Success' and 'Criminals from a Sense of Guilt'.
The object relations theory of Melanie Klein pivoted around the importance of love and hate, concern for and destruction of others, from infancy onwards. [9] Klein stressed the importance of inborn aggression as a reflection of the death drive and talked about the battle of love and hatred throughout the life span.